Ma Zhiyuan (about 1250-1321 to 1324), No. East Ray, most of them (now Beijing, there were objections), Yuanqu writer. With Guan Hanqing, Zheng Guangzu, and Bai Pu, they are also called "four people in the Yuanqu". Morsyan was born in a rich and culturally literate family. When he was young, he was keen to find his reputation. Jian · Zhenjin died and left Beijing as an officer of Jiangsu and Zhejiang Bank. He later participated in the "Yuanzhen Book Association" during the Yuanzhen period (early 1295 -early 1297). In his later years, he seemed to live in Hangzhou. 1321) to the autumn of the first year (1324). It in the creation of opera, Ma Zhiyuan has experienced the transformation from Confucianism to the Taoism in terms of music thoughts. It has the characteristics of rich ideological content in the creation of Sanqu creation and high artistic skills. beauty of.
Princh Edit This poems on Dragon Tower
Around the five years of Dingzong of Mongolia (1250), as in "Apricot Akoko · Move Fan" In that way, Ma Zhiyuan should be born in a rich and culturally literary family ("Qi Ts. Poetry Poetry, Romantic Flatfield and Fortunately"), and as in "Nine Heavens" ("Nine Heavenly Heavenly" ("Nine Heavens" ("Nine Heavens" Twenty years, Longlou Fengge has seen "), and spent about twenty years of youth. , around the seventh year of the Yuan Dynasty (1270), Ma Zhiyuan began the "20 -year wandering career" ("Green Apricot · Wu Mi"). In the tenth year of the Yuan Dynasty (1273), I was only stood by the prince, just as the suite "Women's Crown and Sorrow" ("" I have been born in the childhood Ma Zhiyuan, who had presented Dragon Tower), was eager to pursue the fame, and seemed to be a poem to Xie Er, Zhenjin, and it seemed to be an official because of the relationship between the puppet and the real gold. to the 22nd year of the yuan (1285). Later, probably because of the death of Zi'er and Zhenjin, Ma Zhi stayed away from Beijing as an officer of Jiangsu and Zhejiang Bank. [4] [5] [6] The evening garden fun
During the Yuan Dynasty, as Jia Zhongming wrote in "Ling Bo Xian" in the time of the Li Shi ("Yuan Zhengshu Club Li Shizhong, Ma Zhiyuan, Hua Lang, Red Bei Gong, Sigongxian Jie "Huang Liang Dream")), Ma Zhiyuan participated in the "Yuan Zhengshu Association", and collaborated with Li Shizhong, artist Hua Lang and Hongzi Li Er to create "Handan -Daoming Wuhuang Liangmeng", and With Wang Bo Cheng became friends of the New Year. During the Dade period (1297-1307), after the half -life Ma Zhiyuan, he probably understood that "the best in Xicun" ("whistle everywhere, half -life scene play"), so The same is written in the "Green Land, Zhu Yan changed, and shamelessly painted Lintai. The landscape of the garden is still there, three hectares, five acres of houses, come back"). Life, the place of seclusion may be Hangzhou. During the seclusion, Ma Zhiyuan had a relationship with Lu Zhi. The second year of Huangqing (1313), Yuan Renzong resumed his imperialism. Because of this, Ma Zhiyuan created the set of song "Pink Butterfly Er to Governing Huayi" around the first year of Zhizhi (1321) to express his favor for Yuan Renzong. Shortly after this set of songs was completed, Ma Zhiyuan died, and the time before the autumn of the first year of Tyeding (1324). [4] [5] mainly affects the editor Music thoughts review Ma Zhiyuan received Confucian education from an early age, read poetry books, learn six arts, follow ritual music, to Guqin art, to Guqin art Love has a soft spot. After middle age, with the change of his political career, Ma Zhiyuan's music thoughts have undergone a transformation from Confucianism. At that time, Ma Zhiyuan specialized in the creation of miscellaneous dramas and scattered songs. Whether it was expressing sighs and sighs, or fairy Daohua miscellaneous dramas, it showed obvious Taoist hidden thoughts. [8] The Confucian rituals and music thoughts The literati Confucian Confucianism in feudal society, studying six arts since childhood, paying attention to the shaping of ritual music to people, that is, "prosperity in poetry, stand in ritual, and become music" ( "The Analects of Confucius"), so as to achieve the role of self -cultivation and cultivation of temperament, in order to "learn cultural and martial arts, goods and emperor's home" in the future ("Pang Juan Ye Ye Maling Road"). Like many ancient scholars, Ma Zhiyuan received Confucian education since childhood, abide by the Confucian etiquette and music culture, "Xingxing Nights and Master", "Body Poetry and Poor Love" ("Xichunlai · Six Arts · Li"), But I have my own understanding of some issues in Confucian etiquette culture. As far as the times are concerned, these understanding has certain progress significance. The main manifestations are: la for the impact of "Qinle" on people, "Zuo Zhuan" and "White Tiger Tong" can regulate people from Guqin art to regulate people from the art of Guqin. Starting from his mind, he believes that "Qinle" can educate people's hearts, with righteous virtues and enlightenment, but it constitutes Guqin's artistic aesthetic function. As a traditional literati, Ma Zhiyuan respects and loves Guqin while thinking that music has the role of cultivating emotions, regulating mood, and unburging and forgetting excellence. Compared with Confucianism, it focuses more on the Kuqin Royal Music Outlook. The characteristics of art have a certain significance. ② The influence of music on politics, as early as in ancient times, there was the saying of "the voice of the dead country". However, Ma Zhiyuan realized that music itself was not the disaster of the country, but because the emperor was obsessed with music and ignored the politics, which would delay political affairs and caused the country to perish. That is, the rise and fall of the feudal dynasty are mainly determined by personnel, not music itself. [8] The Taoist thought of hidden thoughts , like many literati, in the abdomen of scriptures, Ma Zhiyuan walked towards the road of birth, specializing in opera creation, using drunk and tuning to restrain himself. Emotional and ambitious, the expressing sighs and sighs of the world, and the obvious Taoist hidden thoughts are revealed in the mixed drama of the fairy, and the Confucian thoughts are leaving. Its main manifestation is: ① In the group song "Xichunlai · Six Arts", Ma Zhiyuan believes that since the "Xingxing Night" follows the rituals, it has not been named. You can only get a "wave name"; at the same time, Ma Zhiyuan re -positioned the role of "ritual", thinking that in the "dive poetry", he can cultivate his sex and yearn for the life of Peng and drunk. ② In the group song "Four Jade · Sighing World", Ma Zhiyuan described his disappointment of the world's coolness and the desire of escaping the hustle and bustle, revealing his views on life and music after passing through fame and wealth after he was in his middle age: " Stay away from the Dust -drying waves, but it is a big and happy ". At the same time, after the fantasies of the fantasy, Ma Zhiyuan was interested in the livelihood and solemnity in the old age, and created many fairy -oriented dramas. Due to the influence of all true religion, its fairy Daohua drama often shows its determination to convert religious and pure and remote music creative ideas. [8] Sanqu creation The ideas and profound ideas This of Horse Zhiyuan's Sanqu ideas, involving the themes of chanting, sighing, returning, girlfriends, narrative themes in Yuan Sanqu, and each of them, and each of them, and each of them, and each of them, and each of them, and each of them, and each of them, and each of them, and each, each, and each, each, and each, each, and each, each, and each, each, and each, each, and each, each, and each, each, and each, each, and each of them, and each of them, each of them, and each of them. Achievement has expanded the scope of the theme of the scattered song. Its main manifestation is: ① In the works of Yongshi Hua ancient, Ma Zhiyuan used the evaluation of ancient people's success to express his own opinions on life, reality, and history, and entrust your own minds, and pay more attention to his vision to pay more attention to life. Value, appropriateness, return to nature. ② Half Hima Zhiyuan's existing scattered songs are about half of the sigh of sighs. These works set up the loneliness of Ma Zhiyuan, the sadness of the ambition, and the beyond the oversupply. Social reality at that time. ③ Ma Zhiyuan's girlfriends mostly write about the love of men and women, the bitterness of the acacia, the heart of the woman and the woman, and the sincere feelings of thinking about women and lovers and the beautiful wishes of pursuing happiness. The fat -free pink gas is even more vulgar. For example: "From behind, the news is absolutely, and the love is also harmful to the evil. When you see a reason for a reason, you don't believe that your ear wheels are not hot." The euphemism and lament of adversity reflect the boldness of the protagonist's love for love, giving people a sense of pain, showing the pursuit of love and loyalty to love. ④ In the creation of the long narrative set, Ma Zhiyuan took the text as a song, and introduced the structure of the prose to the song, such as the Yangtze River, a thousand miles, and "Playing a Children · Borrowing Horse", "Spirit and Zhang Yuyan Cursive", "A Blossom Flower · Yongzhuang Zongxingle "and" Jixian Bin · Thinking "and other narrative works. In these works, Ma Zhiyuan may outline the character's personality characteristics, or depict the character's mood situation, and create a very vivid character image: a horse owner who loves horses, and Zhang Yuyan, who is with a lingering. The post -Tangzhuang Zongzong of the Ledu, Su Xiaoqing in the inscription of Jinshan Temple. [9] The artistic skills are high and super -cooked Themo -Zhiyuan song art is exquisite, longer than psychological scraping, good at using various rhetoric techniques, to achieve a high artistic realm, the scattered language is beautiful, the characters are lifelike, full of fullness, full of full The style of painting and elegant style, unrestrained, old, clear, high mood, improved the artistic conception. The main manifestation is: ① There are paintings in the song. Ma Zhiyuan fully exerts the richness and freedom of the scattered language, describes the color, shape, and state of things, which evokes the reader's association and imagination, and forms a vivid picture. On the one hand, Ma Zhiyuan is good at grasping the main characteristics of things. When writing the scene, he does not describe it. Instead, he cleverly intercepted the most vivid section and the most fascinating moment. , Make the scenery in the Qu Zhongtong layer, the wrong fall, and the rendering, like a picture show in front of the reader, and leave the reader in full imagination. On the other hand, Ma Zhiyuan used a large number of martial arts to use the senses of the senses -according to incomplete statistics, there were nearly 100 words in the color of Ma Zhiyuan's scattered songs, and some works appeared in just dozens of words. A word that represents color. The use of these words makes Ma Zhiyuan's scattered songs more vivid, bright, and more expressive, and it can also cause readers' association. ② language. On the one hand, Ma Zhiyuan often uses very popular spoken language in the scattered songs. It rarely uses a remote word. The scattered language is in line with the specific scene of the work and is full of distinctive personality. It presents different styles in different themes. Extremely characteristic. On the other hand, Ma Zhiyuan is also good at turning the predecessor's verse for his own use. For example, the two sentences of "Fire Tree Silver Flowers, Star Bridge Rock" in the Tang Dynasty Su Taste "Fifteen Nights of the Moon" turned into "Zhao Xingqiao Fire Tree Silver Flower" ("Grand brother · December · Zhengyue"); The "Golden Well" in the sycamore leaf in Chu Fei "turned into" the first carved gold well "(" Grand brother · December · July "); When you meet each other, you should write Huang Ting for a white goose. " [9] The tendency of scattered drama n The tendency of scattered song San song and miscellaneous dramas are different genres. Sanqu is a lyrical poetry of writers who express their straightforwardness. Writers can speak freely; miscellaneous dramas belong to The drama of the endorsement, writing the character and singing of the characters in the play is the basic requirement. And Ma Zhiyuan created miscellaneous dramas in a way of scattered, so that the miscellaneous dramas have the thinking and creative brushwork of lyrical poets under the endorsement of the endorsement, showing the tendency of scattered curvature. Its specific manifestation is: ① lyric poetry of the way of saying. Looking at all the existing dramas of Ma Zhiyuan, Ma Zhiyuan's miscellaneous drama is an incomplete endorsement body. It is extremely important in terms of character personality. Regardless of the identity of the characters, the tone of the chanting and singing lyrics is the same. Similarly -or expressing anger, or expressing their hearts. For example, Zhang Hao's crying complaint that Zhang Hao could not be promoted in the "Thunder Boarding Stele", Chen Xun's expression in "Xihua Mountain Chen Ye", etc. On the surface, Zhang Hao's sadness, Chen Yan's Gao Yi's calmness, actual, actually The above is that Ma Zhiyuan used the characters of the characters in the drama to express his anger and the feeling of death. It is exactly the same as its main tendency in the scattered songs. It has a clear tendency of scattered songs in the way of saying, that is, the tendency of lyrical and poetry. ② non -dramaticization of plot development. Ma Zhiyuan wrote dramas in scattered songs. The plot is not the main aesthetic goal he pursues. Therefore, as far as the requirements of dramatic plots are concerned, Ma Zhiyuan's miscellaneous drama has a non -dramatic nature in the plot development. First of all, the dramatic nature stems from action, from conflict, especially the inner will of the character to achieve attractive drama effects. It should also have the characteristics of concentration, tension, twists and turns. The conflict, such as "Xihua Mountain Chen Ye Gaoli", the conflict throughout the play is actually a absence of assumptions; the conflict in "Ma Danyang Three Ren Fengzi" and "Lu Dongbin Three Drunk Yueyang Tower". Following the decision, the other party is completely in the decision, and lacks the inner tension of "putting the soul on the fire". Secondly, in the development of drama operations, the fate of the character suddenly turns the plot climax, and the most turbulent moment of emotions constitutes an emotional orgasm. The shorter the distance between the two, the stronger the drama of the drama. The strongest dramatic effect, and the characters in Ma Zhiyuan's miscellaneous dramas lack the inherent logic. After the plot climax, the full fold is used to render feelings. It guides readers and audiences to be immersed in the rotation of the characters' feelings without feeling the stagnation of movements. In the end, when the fourth discount was used to narrate, Ma Zhiyuan's miscellaneous drama highlighted his actions and was far -fetched by the plot. In the miscellaneous dramas such as "Midnight Thunder Board", the fourth discount description is available. ③ focus on lyrical self -entertainment. There are two purpose of drama creation. One is for entertainment, and the other is sustenance. Like most miscellaneous drama writers, Ma Zhiyuan is engaged in the creation of miscellaneous drama first to entertain himself, and the entertainment is second. Due to his own experience, Ma Zhiyuan's feelings of various contradictions that emerged were deep, and his understanding of social issues was from irritability to negative to avoid the world. Therefore, when creating miscellaneous dramas The self -entertaining reality, through the mouth of the characters in the drama, to convey its own affection, the creative motivation and dominant tendency of the mixed drama are the same, or the social contradictions are revealed, and the expresses of unevenness; The heart of returning. [10] The beauty of virtual reality The artistic conception of literary works, mostly in addition to specific and tangible reality, and then shaped a false image associated with this, thereby generating the artistic and endless artistic art Effect. In Ma Zhiyuan's miscellaneous dramas, the beauty of "outside the elephant" and "outside scenes" originated from the beauty of the intricate rings of time and space, the beauty of imagination, and the beauty of the fascinating peace. These three aesthetics are intertwined, and they are also intertwined, forming the aesthetic effects of the unique virtual and reality in Ma Zhiyuan's miscellaneous drama. ① The beauty of time and space in the opera structure has the beauty of the cyclic ring. One of the aesthetic characteristics of traditional opera is the virtuality of life. This includes dance design and simplified work, many performance props, and more real and less character singing. Such a form of performance determines the characteristics of traditional opera, that is, to describe the charm of the characters with a simple and indulgent larch. Although the realism of the life of the life is lacking in Western drama A sense of depth of the character and emotional deduction. This kind of beauty is particularly obvious in the miscellaneous drama that Ma Zhiyuan's background. For example, in "Breaking the Dream of Dreams, the Autumn of the Han Palace", the ups and downs of the emotion of the Emperor Han and Yuan Dynasty with the reciprocating loop, and the emotional transformation of Wang Zhaojun Li After going to the emperor Han Yuan's lonely figure; the second discount of "Jiangzhou Sima Green Shirt Tears" was described by the fast and progressive time to readers the sense of unpredictability of the world, and the score of human feelings and warmth was clearly clear. ② The character of the character in the character of the character is the beauty of imagination. In the creation of the characters of Ma Zhiyuan's miscellaneous drama, the characteristics of Yuan Dai painting are vaguely revealed: in the simple and concise pen and ink interest, the camp has a deep imagination space. For example, when shaping the image of Wang Zhaojun in "Breaking the Dream of the Han Dynasty", in order to set off the beauty of Wang Zhaojun, Wang Zhaojun compared Wang Zhaojun to the behind this makeup table. "There is a month in the moon", leaving readers with unlimited imagination space. In the miscellaneous drama with Ma Zhiyuan's main color, the image of the winner in the play is often false and false. Taoist priests, accompanied by the two idlers of Qingfeng Mingyue ", transformed into a spiritual temperament of a world -enlightening and vulgar birth. ③ The selection of imagery has the beauty of flatness and dilute. In Ma Zhiyuan's miscellaneous dramas, the four images of mirrors, flowers, water, and moon often appear and have different contrasts to outline the main mood of the protagonist with vague rosewood. "Mirror" is the beauty of lingering, for example, in "Breaking the Dream of Dreams of the Han Dynasty", Emperor Han Yuan returned to Wang Zhaojun, facing the objects left by Wang Zhaojun, seeing things and thinking, full of sorrow and grievances against the mirror. Whenever the Pan is out. "Flowers" is the beauty of desolate twilight, and has a close relationship with women, and Ma Zhiyuan often sighs that the good female "car crushes flowers, the jade people's monthly, blowjob; "Turn white hair a few times" ("Breaking the Dream of Dreams of Guyan and Han Gong Autumn"), women who have poor character in the mixed drama often curse "Pushing the old gentleman in the wilderness, hey, you are a wave of wishes and holding others again. Sleeping. If you do n’t kill, you can also do Bobo, and if you do n’t kill it, you do n’t kill it. "Water" is the beauty of aerospace circulation. In Ma Zhiyuan's miscellaneous drama, the charm of the water lies in the layout of its drama and the sense of consciousness of words and sentences. For example The sense of consciousness is that the plot of the story is ups and downs. "Month" is the beauty of Xiu Xiu Chang. In Ma Zhiyuan's miscellaneous drama, the image of the month has the poetic personality of Taoist, creating a quiet and elegant realm and a man's color of the Buddha's family, creating a creation The beauty of beauty in Zen.
Ma Zhiyuan is a native of Dongguang County, Cangzhou City, Hebei Province. He is known as the ancestor of Qiu Si for "Tianjing Sha · Qiu Si" (one of the 5th class of Chinese texts in the 7th grade in the 7th grade). According to research, Ma Zhiyuan is a native of Ma Temple in Dongguang County, Hebei Province. Dongguang County Zhi and Dongguang Ma clan are recorded. The famous opera writers, Sanqu, and miscellaneous opera. There are 15 kinds of miscellaneous dramas. "Han Palace Autumn" is his masterpiece; more than 120 scattered songs, there are "Dongli Lefang". In his youth, he was bumpy, middle -aged, and he was an official of Zhejiang Province. In his later years, Ma Zhiyuan was dissatisfied with current politics and lived in the pastoral garden.
In from his scattered works, we can know that he was keen on his name when he was young, and he had the political ambitions of "Zuo Guoxin, taking the cloud hand", but he has not been able to achieve it. After his career ", he saw the shame of life, and then had the idea of retreating Lin Quan. In his later years, he lived a leisurely life of" Lin Jianyou "and" Fortunately ". In his early years, Ma Zhiyuan participated in the creation of miscellaneous drama. He was the main member of the "Zhenyuan Book Club". He was associated with Smart Wang Bocheng and Li Shizhong. Essence (Four people include Guan Hanqing, Bai Pu, Ma Zhiyuan, Zheng Guangzu.) Ma Zhiyuan has been engaged in the creation of miscellaneous dramas for a long time, and his reputation is also very famous. His works are found in 16 kinds of records, and 6 kinds of "Han Palace Autumn", "Recommended Blessings", "Yueyang Tower", "Green Shirt Tears", "Chen Ye Gao lying", "Ren Fengzi" There is also "Huang Liang Meng", which is collaborated with Li Shizhong and Hongzhong Li Er and Hua Lang. "Han Gongqiu" is the most famous. Sanqu has "Dongli Le House". Xiao Ling's "Tianjing Sha · Qiusi" is popular, ingenious, naturally natural, no traces of carving. ▲
This is to say that Ma Zhiyuan is the Yuan Dynasty Sanqu family. He is the surname Ma, the name is far, and the ancients generally have words and numbers. So what is Ma Zhiyuan’s words and numbers? There are two different ways. Dongli, but there is another saying that Ma Zhiyuan's words are thousands of miles, so in the Chinese textbook, when introducing Ma Zhiyuan, a Yuan Dynasty opera writer and Sanquer, he was called "Dongli". At the same time, I also wrote another saying that his words were also called "thousands of miles", so there were such literary common sense of "Ma Zhiyuan, saying a thousand miles".
Idiom usage is pre -predicate; as a fixed, object; contains meaning; [2] The example This This article is very well written, and it is true that it can be said to be a thousand gold. Li Bai's poem "Jing Ye Si", although only the cperm, is complete in artistic conception and no loss. Id idiom analysis Is antonym: one text is not worth synonym: word beads, sounds of sound, giving birth to a wonderful pen, a word Jiuding n Idiom Source "Biography of Historical Records of Lu Buwei": "Bu Xianyang City Gate, hanging thousands of money, and extended vassal tourists who can increase the word to give a thousand dollars." [1] The idiom story story story The unity of Qin in the late 3rd century BC is a major event in ancient Chinese history. As an important figure in the core of the Qin Kingdom's upper level, Lu Buwei played in this historical evolution and cannot be ignored.
Ma Zhiyuan (about 1250-1321 to 1324), No. East Ray, most of them (now Beijing, there were objections), Yuanqu writer. With Guan Hanqing, Zheng Guangzu, and Bai Pu, they are also called "four people in the Yuanqu".
Morsyan was born in a rich and culturally literate family. When he was young, he was keen to find his reputation. Jian · Zhenjin died and left Beijing as an officer of Jiangsu and Zhejiang Bank. He later participated in the "Yuanzhen Book Association" during the Yuanzhen period (early 1295 -early 1297). In his later years, he seemed to live in Hangzhou. 1321) to the autumn of the first year (1324).
It in the creation of opera, Ma Zhiyuan has experienced the transformation from Confucianism to the Taoism in terms of music thoughts. It has the characteristics of rich ideological content in the creation of Sanqu creation and high artistic skills. beauty of.
Princh Edit
This poems on Dragon Tower
Around the five years of Dingzong of Mongolia (1250), as in "Apricot Akoko · Move Fan" In that way, Ma Zhiyuan should be born in a rich and culturally literary family ("Qi Ts. Poetry Poetry, Romantic Flatfield and Fortunately"), and as in "Nine Heavens" ("Nine Heavenly Heavenly" ("Nine Heavens" ("Nine Heavens" Twenty years, Longlou Fengge has seen "), and spent about twenty years of youth.
, around the seventh year of the Yuan Dynasty (1270), Ma Zhiyuan began the "20 -year wandering career" ("Green Apricot · Wu Mi"). In the tenth year of the Yuan Dynasty (1273), I was only stood by the prince, just as the suite "Women's Crown and Sorrow" ("" I have been born in the childhood Ma Zhiyuan, who had presented Dragon Tower), was eager to pursue the fame, and seemed to be a poem to Xie Er, Zhenjin, and it seemed to be an official because of the relationship between the puppet and the real gold.
to the 22nd year of the yuan (1285). Later, probably because of the death of Zi'er and Zhenjin, Ma Zhi stayed away from Beijing as an officer of Jiangsu and Zhejiang Bank. [4] [5] [6]
The evening garden fun
During the Yuan Dynasty, as Jia Zhongming wrote in "Ling Bo Xian" in the time of the Li Shi ("Yuan Zhengshu Club Li Shizhong, Ma Zhiyuan, Hua Lang, Red Bei Gong, Sigongxian Jie "Huang Liang Dream")), Ma Zhiyuan participated in the "Yuan Zhengshu Association", and collaborated with Li Shizhong, artist Hua Lang and Hongzi Li Er to create "Handan -Daoming Wuhuang Liangmeng", and With Wang Bo Cheng became friends of the New Year.
During the Dade period (1297-1307), after the half -life Ma Zhiyuan, he probably understood that "the best in Xicun" ("whistle everywhere, half -life scene play"), so The same is written in the "Green Land, Zhu Yan changed, and shamelessly painted Lintai. The landscape of the garden is still there, three hectares, five acres of houses, come back"). Life, the place of seclusion may be Hangzhou. During the seclusion, Ma Zhiyuan had a relationship with Lu Zhi.
The second year of Huangqing (1313), Yuan Renzong resumed his imperialism. Because of this, Ma Zhiyuan created the set of song "Pink Butterfly Er to Governing Huayi" around the first year of Zhizhi (1321) to express his favor for Yuan Renzong. Shortly after this set of songs was completed, Ma Zhiyuan died, and the time before the autumn of the first year of Tyeding (1324). [4] [5]
mainly affects the editor
Music thoughts
review
Ma Zhiyuan received Confucian education from an early age, read poetry books, learn six arts, follow ritual music, to Guqin art, to Guqin art Love has a soft spot. After middle age, with the change of his political career, Ma Zhiyuan's music thoughts have undergone a transformation from Confucianism. At that time, Ma Zhiyuan specialized in the creation of miscellaneous dramas and scattered songs. Whether it was expressing sighs and sighs, or fairy Daohua miscellaneous dramas, it showed obvious Taoist hidden thoughts. [8]
The Confucian rituals and music thoughts
The literati Confucian Confucianism in feudal society, studying six arts since childhood, paying attention to the shaping of ritual music to people, that is, "prosperity in poetry, stand in ritual, and become music" ( "The Analects of Confucius"), so as to achieve the role of self -cultivation and cultivation of temperament, in order to "learn cultural and martial arts, goods and emperor's home" in the future ("Pang Juan Ye Ye Maling Road"). Like many ancient scholars, Ma Zhiyuan received Confucian education since childhood, abide by the Confucian etiquette and music culture, "Xingxing Nights and Master", "Body Poetry and Poor Love" ("Xichunlai · Six Arts · Li"), But I have my own understanding of some issues in Confucian etiquette culture. As far as the times are concerned, these understanding has certain progress significance. The main manifestations are:
la for the impact of "Qinle" on people, "Zuo Zhuan" and "White Tiger Tong" can regulate people from Guqin art to regulate people from the art of Guqin. Starting from his mind, he believes that "Qinle" can educate people's hearts, with righteous virtues and enlightenment, but it constitutes Guqin's artistic aesthetic function. As a traditional literati, Ma Zhiyuan respects and loves Guqin while thinking that music has the role of cultivating emotions, regulating mood, and unburging and forgetting excellence. Compared with Confucianism, it focuses more on the Kuqin Royal Music Outlook. The characteristics of art have a certain significance.
② The influence of music on politics, as early as in ancient times, there was the saying of "the voice of the dead country". However, Ma Zhiyuan realized that music itself was not the disaster of the country, but because the emperor was obsessed with music and ignored the politics, which would delay political affairs and caused the country to perish. That is, the rise and fall of the feudal dynasty are mainly determined by personnel, not music itself. [8]
The Taoist thought of hidden thoughts
, like many literati, in the abdomen of scriptures, Ma Zhiyuan walked towards the road of birth, specializing in opera creation, using drunk and tuning to restrain himself. Emotional and ambitious, the expressing sighs and sighs of the world, and the obvious Taoist hidden thoughts are revealed in the mixed drama of the fairy, and the Confucian thoughts are leaving. Its main manifestation is:
① In the group song "Xichunlai · Six Arts", Ma Zhiyuan believes that since the "Xingxing Night" follows the rituals, it has not been named. You can only get a "wave name"; at the same time, Ma Zhiyuan re -positioned the role of "ritual", thinking that in the "dive poetry", he can cultivate his sex and yearn for the life of Peng and drunk.
② In the group song "Four Jade · Sighing World", Ma Zhiyuan described his disappointment of the world's coolness and the desire of escaping the hustle and bustle, revealing his views on life and music after passing through fame and wealth after he was in his middle age: " Stay away from the Dust -drying waves, but it is a big and happy ". At the same time, after the fantasies of the fantasy, Ma Zhiyuan was interested in the livelihood and solemnity in the old age, and created many fairy -oriented dramas. Due to the influence of all true religion, its fairy Daohua drama often shows its determination to convert religious and pure and remote music creative ideas. [8]
Sanqu creation
The ideas and profound ideas
This of Horse Zhiyuan's Sanqu ideas, involving the themes of chanting, sighing, returning, girlfriends, narrative themes in Yuan Sanqu, and each of them, and each of them, and each of them, and each of them, and each of them, and each of them, and each of them, and each of them, and each, each, and each, each, and each, each, and each, each, and each, each, and each, each, and each, each, and each, each, and each, each, and each of them, and each of them, each of them, and each of them. Achievement has expanded the scope of the theme of the scattered song. Its main manifestation is:
① In the works of Yongshi Hua ancient, Ma Zhiyuan used the evaluation of ancient people's success to express his own opinions on life, reality, and history, and entrust your own minds, and pay more attention to his vision to pay more attention to life. Value, appropriateness, return to nature.
② Half Hima Zhiyuan's existing scattered songs are about half of the sigh of sighs. These works set up the loneliness of Ma Zhiyuan, the sadness of the ambition, and the beyond the oversupply. Social reality at that time.
③ Ma Zhiyuan's girlfriends mostly write about the love of men and women, the bitterness of the acacia, the heart of the woman and the woman, and the sincere feelings of thinking about women and lovers and the beautiful wishes of pursuing happiness. The fat -free pink gas is even more vulgar. For example: "From behind, the news is absolutely, and the love is also harmful to the evil. When you see a reason for a reason, you don't believe that your ear wheels are not hot." The euphemism and lament of adversity reflect the boldness of the protagonist's love for love, giving people a sense of pain, showing the pursuit of love and loyalty to love.
④ In the creation of the long narrative set, Ma Zhiyuan took the text as a song, and introduced the structure of the prose to the song, such as the Yangtze River, a thousand miles, and "Playing a Children · Borrowing Horse", "Spirit and Zhang Yuyan Cursive", "A Blossom Flower · Yongzhuang Zongxingle "and" Jixian Bin · Thinking "and other narrative works. In these works, Ma Zhiyuan may outline the character's personality characteristics, or depict the character's mood situation, and create a very vivid character image: a horse owner who loves horses, and Zhang Yuyan, who is with a lingering. The post -Tangzhuang Zongzong of the Ledu, Su Xiaoqing in the inscription of Jinshan Temple. [9]
The artistic skills are high and super -cooked
Themo -Zhiyuan song art is exquisite, longer than psychological scraping, good at using various rhetoric techniques, to achieve a high artistic realm, the scattered language is beautiful, the characters are lifelike, full of fullness, full of full The style of painting and elegant style, unrestrained, old, clear, high mood, improved the artistic conception. The main manifestation is:
① There are paintings in the song. Ma Zhiyuan fully exerts the richness and freedom of the scattered language, describes the color, shape, and state of things, which evokes the reader's association and imagination, and forms a vivid picture. On the one hand, Ma Zhiyuan is good at grasping the main characteristics of things. When writing the scene, he does not describe it. Instead, he cleverly intercepted the most vivid section and the most fascinating moment. , Make the scenery in the Qu Zhongtong layer, the wrong fall, and the rendering, like a picture show in front of the reader, and leave the reader in full imagination. On the other hand, Ma Zhiyuan used a large number of martial arts to use the senses of the senses -according to incomplete statistics, there were nearly 100 words in the color of Ma Zhiyuan's scattered songs, and some works appeared in just dozens of words. A word that represents color. The use of these words makes Ma Zhiyuan's scattered songs more vivid, bright, and more expressive, and it can also cause readers' association.
② language. On the one hand, Ma Zhiyuan often uses very popular spoken language in the scattered songs. It rarely uses a remote word. The scattered language is in line with the specific scene of the work and is full of distinctive personality. It presents different styles in different themes. Extremely characteristic. On the other hand, Ma Zhiyuan is also good at turning the predecessor's verse for his own use. For example, the two sentences of "Fire Tree Silver Flowers, Star Bridge Rock" in the Tang Dynasty Su Taste "Fifteen Nights of the Moon" turned into "Zhao Xingqiao Fire Tree Silver Flower" ("Grand brother · December · Zhengyue"); The "Golden Well" in the sycamore leaf in Chu Fei "turned into" the first carved gold well "(" Grand brother · December · July "); When you meet each other, you should write Huang Ting for a white goose. " [9]
The tendency of scattered drama n The tendency of scattered song
San song and miscellaneous dramas are different genres. Sanqu is a lyrical poetry of writers who express their straightforwardness. Writers can speak freely; miscellaneous dramas belong to The drama of the endorsement, writing the character and singing of the characters in the play is the basic requirement. And Ma Zhiyuan created miscellaneous dramas in a way of scattered, so that the miscellaneous dramas have the thinking and creative brushwork of lyrical poets under the endorsement of the endorsement, showing the tendency of scattered curvature. Its specific manifestation is:
① lyric poetry of the way of saying. Looking at all the existing dramas of Ma Zhiyuan, Ma Zhiyuan's miscellaneous drama is an incomplete endorsement body. It is extremely important in terms of character personality. Regardless of the identity of the characters, the tone of the chanting and singing lyrics is the same. Similarly -or expressing anger, or expressing their hearts. For example, Zhang Hao's crying complaint that Zhang Hao could not be promoted in the "Thunder Boarding Stele", Chen Xun's expression in "Xihua Mountain Chen Ye", etc. On the surface, Zhang Hao's sadness, Chen Yan's Gao Yi's calmness, actual, actually The above is that Ma Zhiyuan used the characters of the characters in the drama to express his anger and the feeling of death. It is exactly the same as its main tendency in the scattered songs. It has a clear tendency of scattered songs in the way of saying, that is, the tendency of lyrical and poetry.
② non -dramaticization of plot development. Ma Zhiyuan wrote dramas in scattered songs. The plot is not the main aesthetic goal he pursues. Therefore, as far as the requirements of dramatic plots are concerned, Ma Zhiyuan's miscellaneous drama has a non -dramatic nature in the plot development. First of all, the dramatic nature stems from action, from conflict, especially the inner will of the character to achieve attractive drama effects. It should also have the characteristics of concentration, tension, twists and turns. The conflict, such as "Xihua Mountain Chen Ye Gaoli", the conflict throughout the play is actually a absence of assumptions; the conflict in "Ma Danyang Three Ren Fengzi" and "Lu Dongbin Three Drunk Yueyang Tower". Following the decision, the other party is completely in the decision, and lacks the inner tension of "putting the soul on the fire". Secondly, in the development of drama operations, the fate of the character suddenly turns the plot climax, and the most turbulent moment of emotions constitutes an emotional orgasm. The shorter the distance between the two, the stronger the drama of the drama. The strongest dramatic effect, and the characters in Ma Zhiyuan's miscellaneous dramas lack the inherent logic. After the plot climax, the full fold is used to render feelings. It guides readers and audiences to be immersed in the rotation of the characters' feelings without feeling the stagnation of movements. In the end, when the fourth discount was used to narrate, Ma Zhiyuan's miscellaneous drama highlighted his actions and was far -fetched by the plot. In the miscellaneous dramas such as "Midnight Thunder Board", the fourth discount description is available.
③ focus on lyrical self -entertainment. There are two purpose of drama creation. One is for entertainment, and the other is sustenance. Like most miscellaneous drama writers, Ma Zhiyuan is engaged in the creation of miscellaneous drama first to entertain himself, and the entertainment is second. Due to his own experience, Ma Zhiyuan's feelings of various contradictions that emerged were deep, and his understanding of social issues was from irritability to negative to avoid the world. Therefore, when creating miscellaneous dramas The self -entertaining reality, through the mouth of the characters in the drama, to convey its own affection, the creative motivation and dominant tendency of the mixed drama are the same, or the social contradictions are revealed, and the expresses of unevenness; The heart of returning. [10]
The beauty of virtual reality
The artistic conception of literary works, mostly in addition to specific and tangible reality, and then shaped a false image associated with this, thereby generating the artistic and endless artistic art Effect. In Ma Zhiyuan's miscellaneous dramas, the beauty of "outside the elephant" and "outside scenes" originated from the beauty of the intricate rings of time and space, the beauty of imagination, and the beauty of the fascinating peace. These three aesthetics are intertwined, and they are also intertwined, forming the aesthetic effects of the unique virtual and reality in Ma Zhiyuan's miscellaneous drama.
① The beauty of time and space in the opera structure has the beauty of the cyclic ring. One of the aesthetic characteristics of traditional opera is the virtuality of life. This includes dance design and simplified work, many performance props, and more real and less character singing. Such a form of performance determines the characteristics of traditional opera, that is, to describe the charm of the characters with a simple and indulgent larch. Although the realism of the life of the life is lacking in Western drama A sense of depth of the character and emotional deduction. This kind of beauty is particularly obvious in the miscellaneous drama that Ma Zhiyuan's background. For example, in "Breaking the Dream of Dreams, the Autumn of the Han Palace", the ups and downs of the emotion of the Emperor Han and Yuan Dynasty with the reciprocating loop, and the emotional transformation of Wang Zhaojun Li After going to the emperor Han Yuan's lonely figure; the second discount of "Jiangzhou Sima Green Shirt Tears" was described by the fast and progressive time to readers the sense of unpredictability of the world, and the score of human feelings and warmth was clearly clear.
② The character of the character in the character of the character is the beauty of imagination. In the creation of the characters of Ma Zhiyuan's miscellaneous drama, the characteristics of Yuan Dai painting are vaguely revealed: in the simple and concise pen and ink interest, the camp has a deep imagination space. For example, when shaping the image of Wang Zhaojun in "Breaking the Dream of the Han Dynasty", in order to set off the beauty of Wang Zhaojun, Wang Zhaojun compared Wang Zhaojun to the behind this makeup table. "There is a month in the moon", leaving readers with unlimited imagination space. In the miscellaneous drama with Ma Zhiyuan's main color, the image of the winner in the play is often false and false. Taoist priests, accompanied by the two idlers of Qingfeng Mingyue ", transformed into a spiritual temperament of a world -enlightening and vulgar birth.
③ The selection of imagery has the beauty of flatness and dilute. In Ma Zhiyuan's miscellaneous dramas, the four images of mirrors, flowers, water, and moon often appear and have different contrasts to outline the main mood of the protagonist with vague rosewood. "Mirror" is the beauty of lingering, for example, in "Breaking the Dream of Dreams of the Han Dynasty", Emperor Han Yuan returned to Wang Zhaojun, facing the objects left by Wang Zhaojun, seeing things and thinking, full of sorrow and grievances against the mirror. Whenever the Pan is out.
"Flowers" is the beauty of desolate twilight, and has a close relationship with women, and Ma Zhiyuan often sighs that the good female "car crushes flowers, the jade people's monthly, blowjob; "Turn white hair a few times" ("Breaking the Dream of Dreams of Guyan and Han Gong Autumn"), women who have poor character in the mixed drama often curse "Pushing the old gentleman in the wilderness, hey, you are a wave of wishes and holding others again. Sleeping. If you do n’t kill, you can also do Bobo, and if you do n’t kill it, you do n’t kill it.
"Water" is the beauty of aerospace circulation. In Ma Zhiyuan's miscellaneous drama, the charm of the water lies in the layout of its drama and the sense of consciousness of words and sentences. For example The sense of consciousness is that the plot of the story is ups and downs.
"Month" is the beauty of Xiu Xiu Chang. In Ma Zhiyuan's miscellaneous drama, the image of the month has the poetic personality of Taoist, creating a quiet and elegant realm and a man's color of the Buddha's family, creating a creation The beauty of beauty in Zen.
Ma Zhiyuan is a native of Dongguang County, Cangzhou City, Hebei Province. He is known as the ancestor of Qiu Si for "Tianjing Sha · Qiu Si" (one of the 5th class of Chinese texts in the 7th grade in the 7th grade). According to research, Ma Zhiyuan is a native of Ma Temple in Dongguang County, Hebei Province. Dongguang County Zhi and Dongguang Ma clan are recorded. The famous opera writers, Sanqu, and miscellaneous opera. There are 15 kinds of miscellaneous dramas. "Han Palace Autumn" is his masterpiece; more than 120 scattered songs, there are "Dongli Lefang". In his youth, he was bumpy, middle -aged, and he was an official of Zhejiang Province. In his later years, Ma Zhiyuan was dissatisfied with current politics and lived in the pastoral garden.
In from his scattered works, we can know that he was keen on his name when he was young, and he had the political ambitions of "Zuo Guoxin, taking the cloud hand", but he has not been able to achieve it. After his career ", he saw the shame of life, and then had the idea of retreating Lin Quan. In his later years, he lived a leisurely life of" Lin Jianyou "and" Fortunately ". In his early years, Ma Zhiyuan participated in the creation of miscellaneous drama. He was the main member of the "Zhenyuan Book Club". He was associated with Smart Wang Bocheng and Li Shizhong. Essence (Four people include Guan Hanqing, Bai Pu, Ma Zhiyuan, Zheng Guangzu.) Ma Zhiyuan has been engaged in the creation of miscellaneous dramas for a long time, and his reputation is also very famous. His works are found in 16 kinds of records, and 6 kinds of "Han Palace Autumn", "Recommended Blessings", "Yueyang Tower", "Green Shirt Tears", "Chen Ye Gao lying", "Ren Fengzi" There is also "Huang Liang Meng", which is collaborated with Li Shizhong and Hongzhong Li Er and Hua Lang. "Han Gongqiu" is the most famous. Sanqu has "Dongli Le House". Xiao Ling's "Tianjing Sha · Qiusi" is popular, ingenious, naturally natural, no traces of carving. ▲
This is to say that Ma Zhiyuan is the Yuan Dynasty Sanqu family. He is the surname Ma, the name is far, and the ancients generally have words and numbers. So what is Ma Zhiyuan’s words and numbers? There are two different ways. Dongli, but there is another saying that Ma Zhiyuan's words are thousands of miles, so in the Chinese textbook, when introducing Ma Zhiyuan, a Yuan Dynasty opera writer and Sanquer, he was called "Dongli". At the same time, I also wrote another saying that his words were also called "thousands of miles", so there were such literary common sense of "Ma Zhiyuan, saying a thousand miles".
Idiom usage
is pre -predicate; as a fixed, object; contains meaning; [2]
The example
This This article is very well written, and it is true that it can be said to be a thousand gold.
Li Bai's poem "Jing Ye Si", although only the cperm, is complete in artistic conception and no loss.
Id idiom analysis
Is antonym: one text is not worth
synonym: word beads, sounds of sound, giving birth to a wonderful pen, a word Jiuding n Idiom Source
"Biography of Historical Records of Lu Buwei": "Bu Xianyang City Gate, hanging thousands of money, and extended vassal tourists who can increase the word to give a thousand dollars." [1]
The idiom story story story
The unity of Qin in the late 3rd century BC is a major event in ancient Chinese history. As an important figure in the core of the Qin Kingdom's upper level, Lu Buwei played in this historical evolution and cannot be ignored.
Ma Zhiyuan is still very powerful in general. It is relatively OK. I think it is still good. In general, it is quite powerful.